mensachicken
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Registered: Oct 2000
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Posts: 443 |
quote: Originally posted by timmins
funny how you read my mind. I would love a copy of it, I would like to see how they sampled it.
keep in mind that the band consider themselves collage artists, rather than musicians (though they do play instruments). i would not call this a "cover" of u2, but more a satiric poke at the band. in fact, part of negativland's defence is that it is supposed to be legal to "sample" artwork if it is re-interpreted and does give new meaning, specifically parody/satire.
remember that collage is legal in all other mediums (video, print, etc.) except audio, which is essentially what Negativland is trying to change. they feel that the laws are antiquated, and that because they predate current technologies that they should be re-written.
Sweet Jane (not my favorite song, but it's what keeps the band recognized in mainstream music) was a remake of Lou Reed. WHO, IN TURN, said that the remake is better than his version. I see your point with U2...
i am both a cowboy junkies and a reed fan and i enjoy BOTH versions of the song. i'm sure u2 fans that have a sense of humour will also get a chuckle out of the negativland interpretations of their songs. both bono and the edge have said they found it quite funny, as has casey kasem (after you hear them you'll understand why i mention this).... however, as i said in another thread, people are what they do, not what they say.
I don't steal, I just interpret and re-use.
then you will definitely appreciate the tracks.
i am a designer, myself. and constantly borrow from others in my field as well as other fields. inspiration is everywhere. were bono, et al, to have investigated the past works of negativland, i believe they would have found the groups using of their music to be a huge compliment. however, once the legal dogs were let loose, u2 never looked back or even wanted to know what was happening.
interestingly, the edge, thinking that the band was, i suppose, of interest to those keen on contemporary technology, called up the magazine MONDO 2000 and offered himself up as an interview subject. they said they would get back to him. now, because M2K was a relatively hip magazine, they were well aware of the negativland incident. so what they did was call mark hosler (negativland) and tell him about the edge and asked if THEY (negativland) would do the interview. they agreed.
so they call the edge up and halfway thru the interview, they mention the negativland issue and the edge says that he is quite sympathetic and wishes it didn't go down as it had. at that point, hosler reveals his identity. the edge fumbles and... hangs up. he calls back a while later (presumably after consulting his lawyer), apologizes and says that he got disconnected, and the interview proceeds. negativland asks if he really feels sympathetic, would he (and the rest of the band) be willing to pay their legal fees, which were insurmountable to negativland (the band is still paying them off almost 10 years later), but would be an afternoon's pay for bono. the edge said that sounded like a good idea, that he would get back to them. of course he didn't. the interview appeared in M2K and, i believe, was released somewhere on cd. personally, i find this extremely funny.
the mag is being sold on ebay by someone right now, actually. http://cgi.ebay.com/aw-cgi/eBayISAP...item=1427033496
You make an interesting comment and now I find myself thinking about it more... thanks.
well i'm glad you think so. i can certainly see both sides of the equation (both our original points of view), but i do find it hard to sympathize with the artist/victim that is u2, when they were really never in a bad position and their action (or lack thereof) basically devestated hard working artists who truly are doing unique work--then use their influence to keep the story as under wraps as they can. ugh.
check out www.victoryshag.com/negativland/ before midnight tonight and the tracks will be there to download. feel free to share them with whoever you wish. those two tracks are then *entire* record and the sole course of the conflict.
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